Digital
Experimental
2. Signatures Partout
    Book
Editorial design for a publication on tag writing and name-marking in public space.

The subject is writing that refuses the page — names cut into walls, doors, trains, columns. The book takes that literally rather than illustrating it: a strict academic text grid carries the argument, while photographs of marked surfaces...


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2. Iced Stones
    Film Titles
Title and credit design for a short film made during the Paolo Sorrentino Lab in Patagonia, with Sorrentino as consultant.

The film's images are soft, out of focus, held close — faces at the edge of sleep, landscapes seen through glass. The typography works against that rather than with it...


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3. Editorial
Image selection and sequencing for an editorial run without type or captions.

The pairs rhyme by form before subject — an opened shell with a pearl against a face turned into a white sheet, both cradled shapes in the same soft register; a dark portrait against two blown-out flowers, both opening outward against their ground. Each spread holds one image in high key and one in low, so the sequence breathes between light and dark as you turn.

Scope: Image research, selection, sequencing

Top Spread Photographed by: Juergen Teller
Bottom Spread Photographed by: Irving Penn




4. Motion
Two short motion pieces made outside client briefs.

The first renders AI inference as a particle field for a startup: a dense white core dissolving outward into scattered points, pulled into a pinched lens shape — data readable as both quantity and movement, thousands of individual points held as one form.

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6. Architectural Visualisations
IThe renders are built for atmosphere rather than for spec. Flat overcast light, no sun, no staged props: the pine trunks, the moss and the water do the work, and the building sits inside the landscape instead of being presented against it. The exterior view holds the pavilion at a distance, half-screened by trees, so it reads as found rather than placed. 

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7. Filature
Tempor Ipsum
Voluptatem
Quis, magna, consequat adipis, dolore, sed, elit sed laborem
Incididunt et Nostrud Eiusmod

Lorem ipsum dolor sit amet, consectetur adipiscing elit. In porta ex a porta blandit. Suspendisse feugiat justo at mauris molestie molestie. Ut mattis urna sed sem pulvinar, vitae rutrum nulla ultrices. Curabitur laoreet erat et sapien venenatis luctus.

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8. Enojy
    Magazine layoutA self-initiated layout that takes a personal blog and asks what it would look like in print.

The cover pairs three registers that shouldn't hold together — a brush-drawn script logotype, a broad red gestural mark, and a photographed cloth form, all on a dark scanned ground. The barcode sits low and small, one flat rectangle of information against everything else, which keeps the page reading as a magazine rather than a poster.

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Kate Metelska
metelska.katarzyna@gmail.com
InstagramI am a Paris-based digital designer and art director working across visual identity and web design, with over six years of experience shaping identities and campaigns for fashion, technology, and culture. I design and build websites in Framer, taking projects from concept through to the live page. 

My work spans editorial design, branding, creative direction, and marketing. I focus on blending strong aesthetics with clear purpose, helping brands stand out while staying true to their message. Every project is an opportunity to push ideas further, with clarity, originality, and precision.


Employment 2022 — PRESENT

Art Director OLT Collective

Led creative direction across technology, lifestyle, and beauty sectors. Developed campaigns and visual systems, merging storytelling with structure. Directed shoots and collaborations aligning business needs with artistic coherence.



2019 — 2025

Senior Visual Designer

Global Clients (agency work)

Designed identities and campaigns for Samsung,
BNP Paribas, Santander, Zeiss. Created digital assets
– websites, 3D visuals, and editorials tailored to design
and innovation-driven markets. Shaped investor decks,
brand presentations, and concept imagery that turn
abstract ideas into tactile visuals.



2021 — 2023

Graphic Designer TŁO Gallery

Designed visual communication for exhibitions
and cultural events where text, image, and concept
meet in physical space.



2018 — 2019

Graphic Designer Lobzowska Studio

Developed brand identities and marketing materials,
balancing creative  intuition with the clarity required by corporate clients.




2018

Industrial Designer WZORRO Design

Explored the physical side of design through product
visualization, technical drawings, and form studies.

LanguagesEnglish: Fluent

French: Intermediate

Polish: Native



Skills
 Design:
Photoshop · Illustrator · InDesign · Figma · Procreate

Motion:
After Effects · Premiere Pro · DaVinci Resolve

3D & Visualization:
Blender · D5 Render · SolidWorks

AI Tools:
Midjourney · ChatGPT · Sora · Adobe Firefly





Last Updated 24.10.31



1. Struktur Studio
    Web & Visual Design
The site presents a design studio alongside a mini shop where visitors can buy furniture selected by the studio's founders.

The starting point was the character of the practice itself: a studio built on research and on questioning the role of the designer, where form comes out of inquiry rather than decoration. That became the guiding line of the project — form follows inquiry.

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2. SAMSUNG
    Product Campaign
A campaign for the launch of a new Samsung SSD. I developed the full suite of graphic assets and the key visual, and shaped the visual strategy behind them: curating the imagery, setting the tone, and defining how the product is presented across the campaign.

Role: Art direction, key visual, graphic assets, visual strategy

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3. OLT CORP
    Web & Visual Design
The site for OLT CORP studio: architecture, design, photography, scenography, and workshops under one roof. Rather than sorting that range into tabs, the whole archive sits on a single infinite canvas — a cloud of projects you pan through, each one tagged by category, reference code, and location.

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4. Nullraum Audio
    Web & Visual Design
Website and visual identity for a developer of sound instruments built at the intersection of modular synthesis and acoustic material — eurorack and vintage synthesizers recorded alongside the mechanical noise of the instruments themselves: key clicks, pedal movement, resonating bodies, string artefacts.

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5. ZRYW
    Brand Identity, Packaging & Web
Identity and packaging for a Polish plant-based food brand making sauces in jars and dry mixes for fillings and patties. High-protein, fully vegan, aimed at a younger audience without narrowing to it — the same jar has to work for someone cooking after training and for a mother feeding a family on a weeknight.

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© Kate Metelska 2027